The Gun from “The Man from U.N.C.L.E.”

By Will Dabbs, MD •

“The Man from U.N.C.L.E.” spanned four seasons on American television, beginning in 1964. The basic plot orbited around the serialized adventures of American agent Napoleon Solo and his Russian partner Illya Kuryakin. The Bad Guys were an intentionally enigmatic mob called THRUSH.

THRUSH stood for “Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity.” That seems a bit hallucinated to me, but it did sound cool. The acronym was never explained in the show. The writers thought it up after the fact under duress from fans. THRUSH was your typical 1960s-era international criminal terrorist conglomerate fixated on global domination.

UNCLE Special gun broken down into component parts
The U.N.C.L.E. Special broken down into its component parts. A detachable stock, optical sight, barrel extension, and extended magazine turned this P.38-based handgun into a compact carbine.

U.N.C.L.E. was spy-speak for “United Network Command for Law and Enforcement.” This comparably contrived term was supposed to rock a United Nations-sort of vibe. Back then, the United States and the USSR stared at each other over thousands of thermonuclear weapons. Such cross-culturalism depicting Americans and Russians working together towards a common goal is one of the things that made “The Man from U.N.C.L.E.” kind of edgy in its day.

The implication was that THRUSH was so daunting as to require cooperation between the U.S. and the USSR despite their natural antipathy. The friendship and mutual respect between Solo and Kuryakin seemed incongruous in context. The addition of Russian Ensign Pavel Chekhov to the bridge crew of the starship Enterprise in “Star Trek” at the height of the Cold War was intentionally crafted to punch those same raw geopolitical buttons. Incidentally, David McCallum, the actor who played Russian Agent Ilya Kuryakin, was actually Scottish. He was just really good with accents.

The casual observer will inevitably make comparisons between Napoleon Solo and Ian Fleming’s James Bond. Sean Connery’s “Goldfinger” came out that same year and was reliable box office gold. Curiously, Fleming was also an early writer for “The Man from U.N.C.L.E.” The original working title was actually “Ian Fleming’s Solo.” Fleming played an integral role in developing the Napoleon Solo character as well as that of April Dancer. Dancer ultimately went on to her own spinoff show titled, appropriately enough, “The Girl from U.N.C.L.E.” An unfortunate lawsuit ultimately removed Fleming from the U.N.C.L.E. production team.

Robert Vaughn as Napoleon Solo in the Man from UNCLE
Robert Vaughn starred as American agent Napoleon Solo in “The Man from U.N.C.L.E.” James Bond creator Ian Fleming helped develop the character. Image: MGM Studios

For serious gun nerds, none of that arcane stuff really matters. Much as the Bond films have become inextricably associated with the PPK pistol, “The Man from U.N.C.L.E.” cemented a certain unique firearm into the national consciousness. You may not remember that Solo said, “Open Channel D” whenever he spoke into his communicator or that Leonard Nimoy and William Shatner both played supporting roles in the ninth episode of season one. However, everybody is familiar with the iconic “The Man from U.N.C.L.E.” gun.

Spy Iron

The “The Man from U.N.C.L.E.” gun was referred to in the backstory as the U.N.C.L.E. gun or the U.N.C.L.E. Special. The beating heart of this fictional spy weapon was a modified WWII-surplus German P.38 pistol. The prop weapon was contrived by toy designer Reuben Klamer in concert with a few friends.

Solo packed a standard 4” P.08 Parabellum Luger pistol in the show’s pilot. However, then as now, Hollywood spies needed gadgets to truly peg the awesometer. That meant custom firearms.

P38 pistol on left and UNCLE Special gun on right
A standard Walther P.38 (left) beside the U.N.C.L.E. Special (right). The Special’s abbreviated barrel is the most obvious departure from the original.

The earliest episodes featured a unique carbine built around a.32-caliber M1934 Mauser handgun. However, this pocket pistol was really too small to accommodate all of the ancillary cool-guy stuff. It was also notoriously unreliable on set.  

This was a different time, and California wasn’t quite so energized over gun control as is the case today. Back then, TV and movie studios often maintained their own in-house stable of blank-adapted firearms to support their productions. As a result, the U.N.C.L.E. crew just stepped next door and borrowed a P.38 from the set of “Combat!” With this as a foundation, the prop department went to work.

author with UNCLE Special gun
More than 60 years after the show’s debut, the U.N.C.L.E. Special still has a following. Live-firing replicas help keep the design alive.

The U.N.C.L.E. gun featured an abbreviated, threaded barrel with a removable birdcage flash suppressor. A stylized barrel extension/sound suppressor could be fitted in its place as the tactical situation demanded. The gun was also adapted to accommodate a detachable skeletonized buttstock and an optical sight along with a fake extended magazine. The magazine used in the show was actually a standard capacity box with a fake extension welded to the end.

TV and film production costs a holy fortune. It always has. If you’re the gun guy, the last thing you want is to hold up shooting because of a firearms malfunction. As a result, they always keep backup guns on-hand, even in the case of really reliable pieces like revolvers. The prop masters ultimately built six copies of the U.N.C.L.E. Special. Each one supposedly cost around $1,500 apiece. That’s more than $12,000 today, which seems both astronomical and somewhat unbelievable to me.

detail view of the UNCLE Special gun with all of its component parts
These details did not come cheap, as each of the six prop guns reportedly cost about $1,500 to build. That works out to more than $12,000 in inflation-adjusted dollars today.

There were only two complete kits. The other four were simply blank-adapted pistols that could be used when the entire carbine was not required. The first letter of the last name of the agent to whom it was assigned was engraved into the gun’s grips. Also, the U.N.C.L.E. Special was always supposed to be selective fire.

There were some rather puritanical complaints concerning the wanton violence depicted in the show. It was a different time, and folks were less corrupted back then. As a result, the gun was later described as being able to fire either conventional bullets or “sleep darts.” The only practical difference was the sound the Foley guys dubbed into the soundtrack post production. At the time, even the actors were not completely sure whether they were killing their targets or simply rendering them unconscious from one scene to another.

The U.N.C.L.E. Special was spectacularly popular. The studio averaged five hundred fan letters a week addressed solely to the “U.N.C.L.E. Gun,” which is obviously pretty weird. A general in the U.S. Army Ordnance Department purportedly approached the show’s producers asking to borrow one of the guns for real-world evaluation and testing. He supposedly felt that such a weapon might have legitimate practical military applications.

Ruminations

The U.N.C.L.E. Special lived on long after the TV show that inspired it was supplanted by “Rowan and Martin’s Laugh-In.” You can find examples of live replicas firing on YouTube. I’ll admit that I found myself coveting one myself after pulling this project together.

UNCLE Special gun used a highly modified wartime German P38 pistol at its core
Strip away the spy gear and a wartime German P.38 is underneath. In the show’s backstory, the gun was selective fire and could shoot either bullets or “sleep darts.”

“The Man from U.N.C.L.E.” ultimately produced 108 individual episodes, a spinoff series, a made-for-TV reunion movie, and then a Guy Ritchie big screen remake. It retains a robust fan base even today. Arguably the most enduring aspect of this classic period spy show was indeed the U.N.C.L.E. Special.

Special thanks to my friend Jay for his help and support in pulling this piece together. Open Channel D, brother …

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